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THE FOURTH EDITION OF MEXICAN SILVER
The beautiful new blue cover is just a preview of the change and transformation that have taken place in the fourth edition of Mexican Silver. The entire text has been typed anew, allowing for updates, especially related to the deaths of designers and silversmiths whose lives had been previewed in earlier editions. Aficionados, collectors and enthusiasts will be delighted with the forty new photographs that have been added, enhancing an already heavily illustrated book. Several photographic highlights include a beautiful tortoise-shell croissant necklace by William Spratling from the post-Alaska period, a grouping of Spratling's jewelry and objects which exhibit his use of the dot motif, and several striking pieces by Antonio Pineda and Héctor Aguilar.

A few new marks have been identified in the chapter on Makers' Marks, including those of past and current designers. For those who have searched for information concerning the T-marks, the new edition contains over 2,300 T-marks from 1993, providing a historical perspective for this latest attempt on the part of the Mexican government to assure sterling silver (or better) content.

What has not changed is the wealth of information about the people in Mexico who made the brooches, belt buckles and bowls highlighted and described in Mexican Silver. The story is primarily about a community - silversmiths, lapidaries, carpenters and designers - involved in the production of objects in silver. Thus, every time we serve fruit salad or candy in a handwrought silver bowl or stand before a mirror and adjust our Los Castillo cufflinks or attach an amethyst flower to the shoulder of a jacket, we recall the imaginative spirit that made this beauty possible.

Penny Morrill 9/07


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